Get ready for a musical extravaganza like no other—NPR is bringing the iconic Vienna Philharmonic's New Year's Day concert straight to your living room in 2026! But here's where it gets exciting: this isn't just any performance; it's a celebration of tradition, innovation, and diversity in classical music. On January 1, 2026, the legendary Musikverein in Vienna will once again host this globally cherished event, broadcast live by NPR Music to millions of listeners across America.
Conducted by the dynamic Yannick Nézet-Séguin—making his highly anticipated debut in this prestigious role—the concert promises to be a highlight of his already illustrious career. Since his first collaboration with the Vienna Philharmonic in 2010, Nézet-Séguin has graced the stage with them nearly three dozen times, including memorable U.S. tours. But this New Year's Day performance is special: it features six works never before played by the orchestra on this occasion, including pieces by two women composers. Is classical music finally embracing diversity in its programming? Let’s discuss in the comments!
Of course, no New Year's Day concert would be complete without the timeless encores: the Blue Danube waltz and the Radetzky March, both crowd-pleasers that have become synonymous with this event. And this is the part most people miss—the meticulous effort behind the scenes. NPR's production team, led by the seasoned Lisa Mullins (her 19th year hosting!), engineer Andie Heuther, and producer Brian Bell (his 28th production!), ensures every note reaches you with crystal clarity.
But here’s a controversial thought: as we applaud the inclusion of women composers, why are they still so underrepresented in classical repertoires? The 2026 program, while groundbreaking, raises questions about the pace of change in the industry. Florence Price’s Rainbow Waltz, arranged by W. Dörner, is a highlight, but it’s one of only two pieces by women in the entire lineup. What more can be done to amplify their voices?
Here’s a sneak peek at the program, divided into two parts, showcasing the rich tapestry of waltzes, polkas, and overtures that define this concert:
Part 1:
- Johann Strauss Jr.: Indigo and the Forty Thieves Overture
- Carl Michael Ziehrer: Danube Legends, Waltz Op. 446
- Josef Lanner: Malapou Galop Op. 148
- Eduard Strauss: Devil's Brew, Op. 154
- Johann Strauss Jr.: Fledermaus Quadrille, Op. 363
- Johann Strauss Sr.: Carnival in Paris, Op. 100
Part 2:
- Franz von Suppé: The Beautiful Galatea Overture
- Josephine Weinlich, arr. W. Dörner: Siren Songs, Op. 13
- Josef Strauss: Woman's Dignity, Waltz Op. 277
- Johann Strauss Jr.: Diplomat's Polka, Op. 448
- Florence Price, arr. W. Dörner: Rainbow Waltz
- Hans Christian Lumbye: Copenhagen Steam Railway Galop
- Johann Strauss Jr.: Roses from the South, Waltz, Op. 388
- Johann Strauss Jr.: Egyptian March, Op. 335
- Josef Strauss: Olive Branches, Waltz, Op. 207
Encores:
- Philipp Fahrbach: Circus, Op.110 (First-ever performance at a New Year's Concert)
- Johann Strauss Jr.: On the Beautiful Blue Danube, Waltz, Op. 314
- Johann Strauss Sr.: Radetzky March, Op. 228 (Arranged by the Vienna Philharmonic)
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So, what’s your take? Is the 2026 New Year's Day concert a step forward for diversity in classical music, or is there still much ground to cover? Share your thoughts below—we’d love to hear from you!
For media inquiries, contact Yanius Alvarado Matos at MediaRelations@npr.org.
